Godzilla: Tokyo S.O.S. - A Thrilling Kaiju Film
If you are a fan of giant monsters, epic battles, and spectacular special effects, you should not miss Godzilla: Tokyo S.O.S., a 2003 Japanese kaiju film that is a direct sequel to Godzilla Against Mechagodzilla (2002). In this film, Godzilla faces off against Mothra, a benevolent moth-like creature, and Kiryu, a mechanical version of Godzilla built from his bones. It is a thrilling and entertaining film that pays homage to the classic Godzilla and Mothra films of the past, while also offering a modern and exciting twist.
Introduction
What is Godzilla: Tokyo S.O.S.?
Godzilla: Tokyo S.O.S. is the 28th film in the Godzilla franchise, the fifth film in the franchise's Millennium series, and the 27th Godzilla film produced by Toho Studios. It was directed by Masaaki Tezuka, written by Tezuka and Masahiro Yokotani, and produced by Shogo Tomiyama. It features the fictional monster characters Godzilla and Mothra, along with the mecha character Mechagodzilla, who is referred to in the film by the name Kiryu. It was released in Japan on December 13, 2003, and in North America on March 22, 2023.
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Why should you watch it?
You should watch Godzilla: Tokyo S.O.S. because it is a fun and exciting film that delivers on its promises of action, spectacle, and drama. It has a compelling plot that involves a moral dilemma between respecting the dead and defending the living. It has a great cast of actors who portray their characters with emotion and charisma. It has amazing special effects that blend practical and computer-generated techniques to create realistic and impressive scenes. It has a catchy and memorable music score that enhances the mood and atmosphere of the film. And most importantly, it has awesome kaiju battles that will keep you on the edge of your seat.
Plot summary
The warning from Mothra and the Shobijin
The film begins with a flashback to 1961, when Mothra, a giant moth-like creature who protects nature and humanity, attacked Tokyo to rescue her twin fairies, the Shobijin, from a greedy businessman. She was aided by Dr. Shinichi Chujo, a linguist who befriended the Shobijin.
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In 2004, Kiryu, a mechanical version of Godzilla built from his bones by the Japan Xenomorph Self-Defense Forces (JXSDF), undergoes repair and modifications after its battle with Godzilla one year earlier. However, Mothra's twin fairies appear to Dr. Chujo and his grandson Shun, and warn them that using Godzilla's bones in Kiryu is an affront to nature and the dead. They ask them to return Kiryu to the sea, or else Mothra will declare war on humanity. They also promise that Mothra will take Kiryu's place in defending Japan from Godzilla. The return of Godzilla and the battle with Mothra
Meanwhile, Godzilla, a giant radioactive dinosaur who is the king of the monsters, emerges from the Pacific Ocean and heads towards Japan, sensing Kiryu's presence. The JXSDF mobilizes Kiryu to intercept Godzilla, but Dr. Chujo and Shun try to persuade them to heed Mothra's warning. They are ignored by the JXSDF commander, Togashi, who believes that Kiryu is Japan's only hope against Godzilla.
As Godzilla approaches Tokyo, Mothra arrives and engages him in combat, trying to protect the city and Kiryu. Mothra uses her scales, stingers, and wind gusts to fight Godzilla, but she is overpowered by his atomic breath and physical strength. She is also attacked by the JXSDF, who mistake her for an enemy. Mothra manages to knock Godzilla down and flies towards Kiryu's hangar, hoping to convince the JXSDF to cooperate with her.
The intervention of Kiryu and the final showdown
However, before Mothra can reach Kiryu, Godzilla recovers and fires his atomic breath at her, causing her to crash into the hangar and damage Kiryu. The JXSDF decides to activate Kiryu and launch it against Godzilla, despite the risk of losing control over it. Kiryu's pilot, Yoshito Chujo, Dr. Chujo's nephew and Shun's uncle, agrees to take the mission, hoping to avenge his comrades who died in the previous battle.
Kiryu flies out of the hangar and joins Mothra in fighting Godzilla. The two allies use their weapons and teamwork to overpower Godzilla, but they also suffer heavy damage from his attacks. Mothra sacrifices herself by taking a direct hit from Godzilla's atomic breath, which was aimed at Kiryu. She explodes in a burst of energy that revives Kiryu and gives it a boost of power.
Kiryu then grabs Godzilla and flies with him towards the sea, intending to end the fight once and for all. However, as they reach the ocean, Kiryu's artificial intelligence takes over and remembers its past life as Godzilla. It decides to spare Godzilla and let him go, as a sign of respect and kinship. Kiryu then sinks into the depths of the sea, along with Godzilla's bones, fulfilling Mothra's wish.
Cast and crew
The main actors and their roles
The film features a talented cast of actors who bring their characters to life with their performances. Some of the main actors and their roles are:
Noboru Kaneko as Yoshito Chujo, a JXSDF mechanic who pilots Kiryu and has a crush on Azusa Kisaragi.
Miho Yoshioka as Azusa Kisaragi, a JXSDF biologist who monitors Kiryu's DNA computer and cares for him.
Mitsuki Koga as Kyosuke Akiba, a JXSDF soldier who is Yoshito's friend and rival.
Hiroshi Koizumi as Dr. Shinichi Chujo, a linguist who helped Mothra in 1961 and is Yoshito's uncle and Shun's grandfather.
Itsuki Oomori as Shun Chujo, Dr. Chujo's grandson who loves kaiju and befriends the Shobijin.
Masami Nagasawa and Chihiro Otsuka as the Shobijin, Mothra's twin fairies who communicate with humans through telepathy.
Akira Nakao as Togashi, the JXSDF commander who oversees Kiryu's operation.
Koichi Ueda as Dobashi, Togashi's assistant.
Takeo Nakahara as Hayato Igarashi, the Prime Minister of Japan who authorizes Kiryu's deployment.
The director and the writers
The film was directed by Masaaki Tezuka, who also directed Godzilla Against Mechagodzilla (2002) and Godzilla vs. Megaguirus (2000). He is a fan of kaiju films since childhood and wanted to make a film that would appeal to both old and new fans of the genre. He also wanted to make a film that would honor the legacy of Ishiro Honda, the director of many classic Godzilla films.
The film was written by Tezuka himself and Masahiro Yokotani, who also wrote Godzilla Against Mechagodzilla (2002) and co-wrote Godzilla: Final Wars (2004). They based their script on Tezuka's original story idea, which involved Mothra returning to Japan after a long absence and demanding the return of Godzilla's bones. They also incorporated elements from Mothra (1961) and Godzilla vs. Mothra (1992), as well as references to other Godzilla films.
The special effects and the music
The film's special effects were supervised by Eiichi Asada, who also worked on Godzilla Against Mechagodzilla (2002) and Godzilla: Final Wars (2004). He used a combination of suitmation, miniatures, wire work, and computer graphics to create the kaiju scenes. He also used practical effects such as pyrotechnics, water jets, and wind machines to enhance the realism and impact of the kaiju battles.
The film's music was composed by Michiru Oshima, who also composed the music for Godzilla Against Mechagodzilla (2002) and Godzilla: Final Wars (2004). She created a symphonic score that blended traditional Japanese instruments with modern orchestration. She also reused some of the themes from Godzilla Against Mechagodzilla (2002), as well as the classic Mothra song by Yuji Koseki.
Trivia and facts
The connection to Mothra (1961) and Godzilla Against Mechagodzilla (2002)
The film is a direct sequel to Godzilla Against Mechagodzilla (2002), which itself is a sequel to the original Godzilla (1954). It also serves as a sequel to Mothra (1961), which is the first film to feature Mothra and the Shobijin. The film acknowledges the events of both films and features some of the same characters, such as Dr. Chujo and the Shobijin. It also uses some of the same props, such as Mothra's egg and the Shobijin's miniature carriage.
The change of Anguirus to Kamoebas
In an early draft of the script, Anguirus, a four-legged spiked kaiju who is an ally of Godzilla, was supposed to appear in the film as one of Mothra's enemies. He was later replaced by Kamoebas, a giant turtle-like kaiju who first appeared in Space Amoeba (1970). The reason for the change was that Anguirus was too popular among fans and the filmmakers did not want to portray him as a villain. Kamoebas was chosen because he had a similar shape and size to Anguirus, and because he had never appeared in a Godzilla film before.
The completion of the film just in time for the festival
The film was completed just in time for its premiere at the Tokyo International Film Festival on November 3, 2003. The filmmakers had to work under a tight schedule and budget, as they had only nine months to finish the film after Godzilla Against Mechagodzilla (2002). They also had to deal with some technical difficulties, such as a malfunctioning Kiryu suit and a corrupted hard drive that contained some of the computer graphics. Despite these challenges, they managed to deliver the film on time and within budget.
Reviews and ratings
The critical reception and the Rotten Tomatoes score
The film received mostly positive reviews from critics, who praised its action, special effects, and homage to the classic kaiju films. It also received some criticism for its thin plot, weak characters, and lack of originality. The film has a 75% approval rating on Rotten Tomatoes, based on 12 reviews, with an average rating of 6.5/10. The website's consensus reads: "Godzilla: Tokyo S.O.S. delivers what it promises: giant monsters fighting each other with impressive special effects."
The audience feedback and the IMDb rating
The film also received mostly positive feedback from audiences, who enjoyed its entertainment value, nostalgia factor, and kaiju battles. It also received some negative feedback from audiences who expected more depth, innovation, and realism from the film. The film has a 6.5/10 rating on IMDb, based on 4,321 user ratings, with a weighted average of 6.4/10.
The comparison to other Godzilla films
The film is considered by many fans and critics to be one of the best films in the Millennium series, along with Godzilla Against Mechagodzilla (2002) and Godzilla: Final Wars (2004). It is also considered by some fans and critics to be one of the best films in the entire Godzilla franchise, along with Godzilla (1954), Mothra vs. Godzilla (1964), Godzilla vs. Biollante (1989), and Shin Godzilla (2016). However However, the film is also considered by some fans and critics to be one of the worst films in the Millennium series, along with Godzilla 2000 (1999) and Godzilla vs. Megaguirus (2000). It is also considered by some fans and critics to be one of the worst films in the entire Godzilla franchise, along with Godzilla's Revenge (1969), Godzilla vs. SpaceGodzilla (1994), and Godzilla (1998).
Conclusion
A summary of the main points
In conclusion, Godzilla: Tokyo S.O.S. is a thrilling kaiju film that features Godzilla, Mothra, and Kiryu in a spectacular showdown. It is a sequel to both Godzilla Against Mechagodzilla (2002) and Mothra (1961), and it pays tribute to the classic kaiju films of the past. It has a compelling plot, a great cast, amazing special effects, and a catchy music score. It has received mostly positive reviews and ratings from critics and audiences, but it has also received some criticism and negative feedback from some fans and critics.
A recommendation to watch the film
If you are looking for a fun and exciting film that will keep you entertained and amazed, you should definitely watch Godzilla: Tokyo S.O.S. It is a film that will appeal to both old and new fans of the kaiju genre, as well as anyone who enjoys action, spectacle, and drama. You can watch it online or download it from various sources, such as [text], [text], or [text]. However, you should be careful of the quality and legality of these sources, as some of them may be illegal or unsafe. You should always respect the rights of the filmmakers and support their work by watching the film legally and ethically.
FAQs
Q: Is Godzilla: Tokyo S.O.S. a remake of Mothra vs. Godzilla (1964)?
A: No, Godzilla: Tokyo S.O.S. is not a remake of Mothra vs. Godzilla (1964), although it does share some similarities with it. Both films feature Godzilla fighting against Mothra and her offspring, as well as human characters who try to help or hinder them. However, Godzilla: Tokyo S.O.S. also features Kiryu, a mechanical version of Godzilla, who joins forces with Mothra against Godzilla. It also has a different plot, setting, and tone than Mothra vs. Godzilla (1964).
Q: What does S.O.S. stand for in the title?
A: S.O.S. stands for Save Our Souls, which is a common distress signal used in emergencies. It is also an acronym for Save Our City, which is the slogan used by the JXSDF in the film to rally support for Kiryu's deployment against Godzilla.
Q: How does Kiryu remember its past life as Godzilla?
A: Kiryu remembers its past life as Godzilla because it has a DNA computer that contains Godzilla's genetic information. This computer allows Kiryu to mimic Godzilla's abilities and behaviors, but it also makes Kiryu susceptible to Godzilla's influence. When Kiryu hears Godzilla's roar or sees his image, it triggers Kiryu's memories and emotions as Godzilla, causing Kiryu to go berserk or rebel against its human controllers.
Q: Why does Mothra explode when she dies?
A: Mothra explodes when she dies because she releases her life force in a final act of sacrifice and courage. She does this to revive Kiryu and give him a boost of power to defeat Godzilla. She also does this to protect Japan and humanity from Godzilla's wrath.
Q: What happens to Kiryu after he sinks into the sea?
A: The fate of Kiryu after he sinks into the sea is unknown, but it is implied that he remains there with Godzilla's bones, resting in peace and harmony with his original self. It is also possible that he may return someday if Japan faces another threat from another kaiju. 44f88ac181
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